Archive for Sigma

Sigma 150-600 C lens test in Tanzania

Posted in 1, Africa, African Safari, Benro, better my photography, Birding, Birds, BlackRapid, Canon, Clik Elite, Columbia sportswear, elephants, how to photography, Induro, Kaenon, Lake Manyara, learn photography, Lenses, Lexar Digital Film, lions, Marketing, Ngorongoro Crater, photo tips, photo tours, photo workshops, Photographer, Photography, photography skills, Photography tips, photography workshops, Pro Photographer, Pro Photography, Professional Photographer, Serengeti, Sigma, Tanzania, Tarangire NP, Travel, Travel Photography, warthog, waterbucks, zebra with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 7, 2016 by mmphototours
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Young elephant crossing the river in Tarangire National Park

In June of 2016 Mike G had the chance to make a visit to Tanzania with family and friends where he spent several days testing the Sigma 150-600 C lens in three different Tanzanian National Parks – Tarangire, Ngorongoro, & Lake Manyara.

Bottom line – Mike G, who has used the Tamron 150-600 VC lens and Canon L series big glass on African safaris in the past, was very pleased with the lens and feels it is every bit the lens the Tamron is with possibly better stabilization and color reproduction and offers a better bang for your buck than the much more expensive Canon or Nikon options.

All of the following images were taken with a Canon 5D Mark III and the Sigma 150-600 C lens.

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Waterbuck family checking surroundings

Elephant crossing the river in Tarangire NP

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Elephant crossing the river Tarangire National Park

 

The first thing most people are going to notice with this lens is the price tag – much less than the Canon 100-400 II, Nikon 80-400 VR, Canon 200-400 w/ 1.4x, or any of the prime BIG glass lenses either Canon or Nikon offer.  And, you are gonna save size vs a few of the other options while not adding much bulk vs some of the slightly smaller options – Canon 100-400 II or even Nikon 80-400 VR.

High quality glass is vital to the optical quality of any image.  The quality Mike G observed in this test shows that the 150-600 C is an excellent lens with high quality workmanship coming out of the Sigma Aizuwakamatsu (where Mike actually lived for several months while a young man) factory in Japan.  The FLD & SLD glass elements help the lens achieve a high degree of clearer, sharper, greater clarity and excellent contrast across the focal range.  While not weather-sealed like its Big Brother the S version the lens should withstand most light weather situations but you’ll want some form of heavy weather protection should you venture out in heavy rain/snow.

Mike G finds the lens be very sharp at all focal lengths up till about 550mm – especially when stopped down to f/8.  Above 550mm stopping down to f/11 helps keep the center of images sharp and clean.

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Lilac-Breasted Roller checking surroundings

The next thing you are going to notice is a wonderful range (150-600mm) which will allow you to fix this lens on your favorite camera body and shoot all day without changing lenses – which can be extremely convenient and save a lot of sensor cleaning while out on safari – or even shooting birds in the backyard or wildlife in Yellowstone National park.  With a minimum focusing distance of 110.2″ critters will have to be pretty close – 9.2′ or just a tad over 3 yards away to not focus.  If you are that close to any wildlife you had better be near small wildlife that cannot hurt you or in vehicle that can help protect you.  For sporting events – depending on the event – it can be the lens that reaches out and touches the action.

Some of you may ask – what about the min/max aperture range of the lens – f/5-6.3 – f/22 and capturing images in low light?  Not a concern if you are shooting with a relatively new body that handles noise/high ISO situations well.  Feel free to bump that ISO up to keep your shutter speed up if needed.  Plus, the Sigma Optical Stabilization, which includes an accelerometer for better panning results, is going to get gain you anywhere from 2 – 3 stops when handholding with good, solid technique.  So, go ahead and shoot away.

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Wildebeest males battle during rut

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Male lion surveying Ngorongoro Crater surroundings

How about the auto focus performance you may ask?  Mike G found it to be very accurate, fast, and quiet.  The Sigma Hyper Sonic Motor is reliable and Mike G found it be a bit faster than the Tamron 150-600.  The lens does also come with a focus limiter switch which can be handy when subjects are more than 33+ feet away.

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Warthog family lounging in the short grasses of Ngorongoro Crater

_E7A8377 Young elephant water-crossing web ready.jpg

Young elephants crossing the river in Tarangire National Park

Do we (Mike G) recommend this lens?  Yes.  This lens offers great image quality at an excellent price point.  The outstanding performance seen coupled with the savings makes this lens a viable option for even the most serious wildlife photographers.

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Lounging gazelle

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Zebra

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TRAVEL PHOTOGRAPHY: Light, Location & Lenses

Posted in Angkor Thom, Angkor Wat, better my photography, Birds, BlackRapid, Cambodia, Canon, Clik Elite, Columbia sportswear, Filters, Floating Villages, Floating Villages Cambodia, Golden Pavillion, HDR, how to photography, Indochina, Japan, Kinkakuji, Kyoto, Laos, learn photography, Lenses, Lexar Digital Film, Light, photo tips, photo tours, photo workshops, Photographer, Photography, photography skills, Photography tips, photography workshops, Pro Photographer, Pro Photography, Professional Photographer, Sigma, Ta Prohm, Tamron, Tiffen, Travel, Travel Photography, wide-angle, wide-angle lens with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 16, 2013 by mmphototours

Where do I go to get the best shot of…?  When do I go to get that shot?  These questions have troubled travelers and photographers for years.  Travel photography is more available and affordable than ever.

Great travel photography boils down to three things: Light, Location and Lenses.  In the following short paragraphs I will share with you the prime basics I have learned over the last 30 years of travel photography.  Since the early 1980’s I have traveled to over 160 countries—yes, there are that many and still more to go!

Storm clouds over Bayon at sunset web ready

Light.  Without it GREAT photography is difficult—even with the high ISO digital cameras of today.  Truly excellent photography begins AND ends with light and how you use, protect, manipulate and ultimately capture light.

Kinkaku-ji

Just as important as the primal light mother-nature provides is the light of your own imagination and eye.  The art of seeing light is a must for being able to visualize exactly how you want to capture the light you have to work with.

The key with travel photography, as with most other photography, is how you put yourself into position to capture the best light for the location you are working with.  This can vary depending on the location.

How do we combat or work with light?  Rise before the sun, and most people, to be out, set-up and ready to release the shutter on location before even the bell tower mice of Notre Dame are awake.  The best light of any day and any season is often the morning light.  The soft rays create hues and angles which even the novice can make look extraordinary.  In my opinion morning light is the most interesting and clean light of the day.  Of course, the often vibrant rays of the evening are inviting and awesome as well.

As always, before you begin clicking away, consider how the available light, weather, as well as lens selection and camera position will impact your shot.  Take some time to walk around your subject, if possible, while considering all of these elements. Take your time and look through the viewfinder (or even LCD screen) and be open to the unusual and the unexpected.

Location.  The world is such that many people have traveled and seen much more than even 20 years ago.  The classic sights—The Eiffel Tower, The Leaning Tower of Pisa or even a Bull Elk in Yellowstone National Park have been shot by MILLIONS of photographers.  Each of them has a killer shot of the site—right?  However, many travelers do not go back to a location to ever shoot it again.  Hitting sights in each of the four seasons brings them to life.  If at all possible return to favorite locations and shoot often—the Light is NEVER the same and your mood and imagination may bring you new discoveries.  Spending time watching locals interact and visit sites can add a layer of creativity and vision to how you approach and shoot it.  Find out as much as you can about your destination before you start traveling.  Use the Internet, travel books, maps and the phone to find out details about potential shooting locations and weather.  When you arrive on location take some time to look at post cards of the area to get ideas and locations.  If the schedule allows, scout a location to determine the best camera position for the next day—these are all things we do and provide in advance on a photo tour!  Putting yourself in the right place at the right time is a must to excellent travel photography.

Elephants

Lenses.  Do NOT skimp on glass.  I would rather have a basic (read entry level) DSLR and GREAT glass than a fully-loaded pro DSLR with inferior glass.  Yes, we recognize that there is a lot of good glass out there.  Every maker has raised the quality level to deal with the specific needs of digital photography.  The key here is to take the time, effort and spend the money you can afford for the system AND desired results you want.  Our Imagination, Light and Lens (ILL) make SICK (read awesome) pictures!  When the three L-elements come together with our imagination the possibilities are endless and the creativity and beauty are as magnificent as the love of our life.

Majestic Bald Eagle

What are the answers to the above questions?  Get out and travel.  Take your camera and shoot.  When we couple travel & photography the world takes on new meanings and adventures.  The people, places and sights that are travel photography open our eyes and fill us with an appreciation for the privilege we have to document the Light & Location through the Lens, of not only the camera, but our minds and hearts.  As we say at M&M, “You don’t just take a photograph, you experience it!”

Floating Village Family Homestead Back Door View- Cambodia

Contact me directly at: mikeg@mmphototours.com with questions about our tours, general travel questions, and of course anything photography related.  Thanks for all the support.